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Topics of Hannah Webster Foster's The Croquette Hannah Webster Foster's The Coquette, published in 1797, has long been regarded as a sentimental book with little literary caliber. Though The Coquette was a best seller at book and remained in print for nearly all of the 19th century, critics gave it little care other than to ridicule the book. Not until 1978 with the publishing of Walter Wenska's The Coquette and the American Dream of Freedom did Foster's publication get critical attention and praise. Ever since then, other literary critics have given their attention to The Coquette for significant analysis and praise. These critics have concentrated on aspects of the novel that were completely ignored until the previous twenty years. The themes critics discuss comprise the injustices of patriarchal culture, social attitudes, the depiction of a market of eyesight, therapy of language and the function of the female circle. It is clear modern critics have delved under the face of this sentimental book to extract significant themes and data written by Foster. In her book Revolution and the Word: The Rise of the Novel in America, Cathy N. Davidson comprises The Coquette from the historic chronology and criticism of the American publication. Davidson concentrates her composing concerning the Coquette's subject as it "doesn't publicly challenge the simple structure of patriarchal culture but alternatively, exposes its basic injustices through the specifics and crises of the plot" (144). The novel opens with Eliza Wharton expressing both her despair and relief on the passing of Mr. Haly. Davidson points out that the joys of Eliza submitting to a arranged marriage out of obedience to her parents which contradicts the assumed...