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After the notion of love and passion come up in literature, logically the instant response of a reader is just one of identification or space with the work. Love and enthusiasm are romantic and so difficult to leave loosely in the outside world, with all the ineffectiveness of language, cultural and social impasses, plus a multitude of other issues creating an "otherness" to the literary representation of this love/passion happenings. The rendering of love however, frequently hides within subtleties that surpass societal constructs, or perhaps perceived fact. At Jeanette Winterson's Written on the Body, we're exposed to, as the book cover explains "adore stripped of most of its cliché's and groups" through elaborate Writer in a real and gripping method. But also the effectiveness is located in Winterson's deconstruction of social and ideological views, which show the way the subconscious impressions of contemporary ideology concerning love and desire cause immense battle within the self, leading to a fervent pressure, or also repression of needs throughout objectification of memory, since the fulfillment of our needs inevitably results in the expression of mortality, e.g. all individual emotions, even love, come to a logical end. Among those finer things of Written on the Body will be that the exploration of want in multiple viewpoints, but from one narrator. The natural erosion of doctrine of the un-named narrator can work to draw in a reader, since there is basically no ruling. The shoes of the narrator are there to be filled as a voyeur, as a recollection or relatable experience, or as a rejection. The unabashed display of enthusiasm against social standards, highlighted vividly in the very first pages from the mom of a conventional household scorning t.. .