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The poetry of Phillis Wheatley is crafted in such a manner that she is able to create a particular aim for every poem, and attain that aim by manipulating her place since the speaker. As a servant, she had been cautious to cross any lines along with her proclamations, but managed to get her point across by touching her particular place. In spiritual or elegiac things, nevertheless, she seemed to take herself to become a power. Her writings, the panegyric "Into MAECENAS" along with the elegy "On the Death of a young Lady of Five Years old," display Wheatley's overall consistency in shape, but also her intelligence, versatility, and ability to accommodate her position so as to achieve her objectives. The main difference between these types of poems is that a panegyric is utilized to praise and flatter a living person, and also an elegy is mournful concerning the death of someone. This isn't to say that an elegy cannot fall under the classification of an panegyric, but an individual does not imply the other. According to www.Brittanica.com, panegyrics were originally speeches delivered in ancient Greece at a gathering so as to praise the former glory of Greek cities but later became accustomed to praise and more intelligent eminent persons like emperors. It seems fitting, therefore, that Wheatley's panegyric, "Into MAECENAS" comprises so many classical allusions. In this poem she thanks and compliments her unnamed patron, comparing him to Maecenas, the famed Roman patron of Virgil and Horace. It's widely considered that even though Maecenas is referred to as a male in her poem, in actuality it describes the Countess of Huntingdon, Phillis Wheatley's real British patron. This is encouraged by the fact that her novel is dedicated to the Countess, and also by her refere...