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Entrapment at A Country Love Story May and Daniel, in Jean Stafford's "A Country Love Story," epitomize the Vital differences between men and women. Once seemingly a happily married couple, May and Daniel display their engendered gaps after Daniel falls ill. While Daniel becomes more reclusive, May longs to rekindle the closeness that they once had. Daniel's self-consumed and overbearing attitudes will not allow for such a connection, however. The growing strain between them reflects that the classic sexual politics within their civilization. Because of this, May struggles to free herself out of not just her husband, but also from the patriarchal code which entraps her. This patriarchal code where May is captured is depicted throughout the narrative. First, May is throw to a stereotypical and generalized female role. While Daniel starts his own work because he recuperates from his illness, May will "nothing more than simply cook three meals and stroll a little [...] and pet the cats and wait for Daniel to return [...] to talk to her" (415-16). When she isn't going about her daily activities of cleaning, cooking, and purchasing, May sleeps for hours at one time like a cat. Furthermore, her occasional conversations with other girls over tea are rather the stereotypical female talks: gossip concerning other ladies. May also fulfills the stereotypical role of a dutiful, submissive, and even weak woman. Her engendered name sounds evidence of this, acting as a constant reminder to her that she's a poor being. Just like a kid who has to ask "may I?" To attain consent, May also seeks to acquire permission from her husband to live a joyful life. Also like a child, May tends to yield to her "superiors'" desires. When the Physician.