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The mythology of Superman is certainly a paradigm that embodies the social fact of the period; built around an archetype of ideology, dreams of human being religious ambiguity, a spiritual messiah, and a semiotic counsel of modernity. In additional research, Superman can be discovered to have particularly changed to adhere to American culture in three distinctive periods; midst the Great WWII and Depression, post WWII and the socially progressive switch of the Vietnam period finally. In each chapter Superman was re-imagined to meet the definition of the period, a tool of propaganda over that of entertainment. Presently, U . s is entering a new phase of cultural shift, and Superman will be redefined to represent the ideologies of truth thus, justice, and the American way of that required era. However, the simple surface area mythology of Superman offers applications to ethnic ideologies, queries of human being independence, dreams in a Freudian character, and the complicated connection of dream and actuality which needed intro before in-depth analysis. Superman's representation of cultural ideology is that of 'the ideas of the ruling class are in every epoch the ruling ideas', the Marxist interpretation of material production and mental production (Karl Marx, 1932, pp. 7-8). Superman as name suggests that he is normally "better" than only guy; hence offering godlike characteristics to the edification is definitely allowed by a leading man of an icon that transcends above variety. Subsequently, Superman embodies a civil religion of American ideals in which all can identity. Cultivating characteristics of a populist leading man, Superman is certainly a ideological sign of the American ideology against the misconception of aristocracy; the basic principle of ethical quality getting hereditary. Superman's identification with a lesser.