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Comparison of Dylan Thomas' Fern Hill and Robert Frost's Birches Poets often use character imagery to remark on the connection between people and the natural environment surrounding them. Traditionally, this relationship is portrayed in a positive fashion as it puts emphasis on the concept that character is representative of attractiveness; therefore, embracing this representation will inform the human encounter. The facets of that relationship are represented within Dylan Thomas' "Fern Hill" and Robert Frost's "Birches". Both poets invoke an image of character that's scenic, tranquil and innocent so as to communicate a message that someone can have a fulfilling life if they concentrate on the beauty that exists inside the primary world. Conversely, Coleridge's "Dejection: An Ode" contains a different interpretation of what one's relationship with nature should entail. The speaker feels that a very simple appreciation of beauty is insufficient; you needs to identify with that beauty throughout the soul in order to be more educated. Regardless of the fact the "Fern Hill" and "Birches" originally appear to express pride about the value of superficial human adventures, when analyzed in conjunction with "Dejection: An Ode", the meanings of these two poems are shifted. Frost's "Birches", Thomas' "Fern Hill" and Coleridge's "Dejection: An Ode" all convey different heights of dejection upon initial examination; nonetheless, when contrasting the expressions of the speaker and the imagery routines of the poem, those levels of dejection become increasingly ambiguous. The association between the...