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This dissertation will look at and analyse two of the macabre and gothic tales from the English writer Elizabeth Gaskell (1810-1865); The Old Nurses Tale (1852) and THE INDEGENT Clare (1857). Indicating and demonstrating how representations of mystery and the supernatural are utilized as vehicles of creativity, expression and exploration in to the hidden depths of the feminine psyche through the use of Gothic fiction within the Victorian period (1837-1901). I plan to delve and explore in to the identification of the feminine-personal exposing the darker and intimate problems of the feminine Gothic, otherwise concealed within the oppressive constraints of the feminine role surviving in Victorian culture. Applying psychoanalytical examples, I'll discuss themes of the feminine role and repressed identification expressed through Gothic fiction, presenting how that is depicted within Gaskell’s function, through the use of the symbolic, imaginary and expedition into the journey of feelings of mind, soul and body, represented in the inside of her fictional tales, for instance: “Gaskell draws on tales of unusual and wild behaviour connected with often remote and mystical places and legends about fate and doomed inheritance. The tales reflect Victorian preoccupations with mental states.” (Matus. 2007: 119). Through close evaluation of particular parts of Gaskell’s work’s The Aged Nurses Tale (1852) and THE INDEGENT Clare (1857) I'll argue how aspects, with regards to language, style and type establish a feeling of escapism for the Victorian feminine writer and the independence of womanhood through fictional composing, underpinning points made out of a feminist reading of the text’s. This dissertation shall endeavour to comprehend how Gothic tales “represent the most impressive of Gask...