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Echoes and Parallels in William Shakespeare's Twelfth Night The echoes and parallels in Twelfth Night separate humor from poignancy pertaining to various kinds of love. They reinforce and enhance the audience's appreciation of particular characters, revealing another side. They emphasize certain themes through language and metaphor, particularly those of love, disguise, and fate. They also create anticipation and suspense for the reconciliation of Viola and Sebastien. Shakespeare links particular characters together from the play. The twins, Viola and Sebastien, both make to the same place in Illyria. Obviously, their situations are similar as they were both involved in precisely the exact same shipwreck. Both believe that their twin is dead and this is ironic for its viewers, but more importantly, it creates suspense and anticipation as the audience await a balancing, that is likely to be funny, given that the set are identical twins and Viola is disguised as a man. Shakespeare links Orsino and Olivia together, as both are equally self-absorbed as well as joyful. This is recognized in both characters by Viola. The two Orsino and Olivia describe love concerning visual qualities. For Orsino, the sentiment is instantaneous, "when mine eyes did see Olivia first, Methought she purg'd the air of pestilence" which suggests that Orsino is not really in love, and is only appreciating the self indulgent daydreaming and frustration that his affections for Olivia are causing him. Olivia is surplus in her mourning for her brother and histrionic in deciding to become a "cloistress' for this period of time. Both characters enjoy wallowing melodramatically in.