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Throughout history, sexism and gender functions in society is a greatly debated topic. The Women’s Rights Movements, N.O.M.A.S. (The National Firm of Males Against Sexism), M.A.S.E.S. (Motion Against Sexual Exploitation and Sexism), and several other movements and groupings have all worked well against the appointment of gender functions and sexist beliefs. Many authors decide to make a controversial topic a central theme within their work of literature, and the theme of gender roles is no exception. “Phenomenal Woman” by Maya Angelou, “Diving in to the Wreck” by Adrienne Rich, and “The Yellowish Wallpaper” by Charlotte Perkins Gilman all address the gender functions which have been positioned by society. Maya Angelou was created following the Women’s Rights Motion shortly, and was a interpersonal activist as a grown-up. When Angelou started to create, she chose to reveal subjects that had material and meaning to additional people, such as abuse, religious beliefs, occupation, racism, sexism, associations, and other topics. One particular poem is “Phenomenal Female,” a poem on societies specifications for what makes a female physically attractive. At the start of her poem, she promises that other ladies wonder how she draws in males when she isn’t “cute or created to suit a style model’s size.” In this declaration, Angelou is recognizing that most society believes that it's favorable to become skinny, but she continues on to state that it's “the period of my hips,” “the swing in my own waistline,” “the grace of my design,” and “the necessity for my treatment,” that attracts males to her. Put simply, Angelou is declaring that it isn’t her size that draws in men, but her womanliness, her grace, and her kindness. In her poem, Angelou stresses the need for self-confidence and helps it be clear tha...