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Most commonly in literature, the concept of invisibility is taken to the intense effect of being physically clear and hidden by anybody. In popular media, the protagonist is also often portrayed as being invisible, going behind the enemy's rear to finish his or her mission. In Ralph Ellison's Invisible Man, this viewpoint of invisibility is reversed; rather than being invisible and becoming noticed, a man is in plain sight of everybody- however, due to a ton of stereotypes and prejudices, nobody understands exactly what he accomplishes. Starting his journey for a man who remains out of the way by doing what he is told, he's quickly forced to leave and go someplace else to "find" himself. This shift puts him into a situation into which can be relatable to the common notion of invisibility, one who fights for fairer rights with no one taking note of him. Our nameless hero (hereinafter known as "the narrator") takes us on a journey that extends the concepts of the invisible pacifist and aggressor. In the beginning, the narrator is an anxious, eager prospective college student who only wishes to please his superiors and do as they ask. He goes to the town hall so as to give a speech and is subsequently pressured into participating in the "battle royal" to be fought by some of his schoolmates (also black) for the white men's entertainment. This scene is among the many that serve as metaphoric and symbolic representations of invisibility and the related theme of blindness. Walton Muyumba, a literary critic, agrees with this and states that "Ellison blindfolds the boys to play his themes of blindness and invisibility in the context of white viewership" (Walton Muyumba 60). Simply speaking, the blindfolds function as a symbol for.