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"Any relations in a social order will endure, if there is infused into them some of that spirit of human sympathy which qualifies lifestyle for immortality." -George William Russell Homer defines a hero as a person who acquires and preserves honor through success in battle while embracing an extremely individualistic attitude. Homer's epic musicians were self-interested in order to maintain their honour and to acquire fame - the currency used by the hero to attain immortality. Heroes of this archetype often demonstrate a neglectful disregard for the lives of the artists and encouraging cast. This is symptomatic of their obsession with acquiring honor over construction relationships (Dunkle). But how can a hero protect his celebrity if he lacks empathy and loyalty for his people? After all, a hero needs to build relationships since you can only thrive if he's the hero for a culture - a fanatic with no audience isn't a hero. An individual can't be his own hero. Besides, without connections, who will keep the enthusiast's memory alive? To answer these concerns, an individual can look to two apparently similar personalities, Beowulf and Siegfried, who differ wildly in character and character. Siegfried desires to establish and preserve relationships while Beowulf is out for his own glory. Although Siegfried's alteration of this definition ultimately exposes him to betrayal, his tendency to create and sustain relationships aids in devoting his immortality in the world post-death. At first glance, the 2 characters introduced in Beowulf and The Nibelungenlied share comparable attributes of a hero: the two Beowulf and Siegfried kill dragons, be kings, and therefore are thought to be unbelievably strong and invincible with their followers. Since they're equipped wi...