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Ayn Rand and We the Living "We the Living is not a tale about Soviet Russia in 1925. It's a narrative about Dictatorship, any dictatorship, anywhere, at any time, if it be Soviet Russia, Nazi Germany, or - which this novel may do its share in helping to prevent - a socialist America." The following words, written by Ayn Rand herself to get its foreword to the 1959 print of her 1936 novel We the Living, convey not only Rand's direction to the reader to bear in mind that the universality of this book's theme, but also her opinion of communism at 1925 Russia and her suspicion that the United States might be led down the exact same erroneous path. During her lifetime, Rand would compose prolifically both comedic and non judgmental, and discovered that a philosophical movement whose prevalent attraction could ignite both loyalty and controversy. But We the Living is Rand's initial, and possibly most-accessible, statement on the character of communist oppression and the immorality associated with man's tolerance of this. Produced in Russia in 1905, Ayn Rand (nee Alice Rosembaum) immigrated in 1926 into the United States in which, following a brief trip with a cousin in Chicago, she jumped to locate work almost immediately in Hollywood, initially as an extra and then as a junior screenwriter. It was while she had been working in the studio for director Cecil B. DeMille that she met her future husband, Frank O'Connor. He was a minor actor, called kind and handsome, but "with evidence unassertive, passive, and not at all like the Rand edition of the perfect guy" (Gladstein 9). Though some sources allege that she wed O'Connor in an attempt to get permanent resident status in the country (Walker xiv), others maintain that Rand fo...