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Fiction and Untruth at Amadeus by Peter Shaffer Essay

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Fiction and Untruth at Amadeus by Peter Shaffer The drama "Amadeus" by Peter Shaffer was not composed to be able to be a biography of the excellent composer Wolfgang Amadeus Mozart, much more than that, Peter Shaffer wrote it as a story, as opposed to a history. In his story he was free to add amusing to produce the drama more interesting to a broad audience, and to fulfill his purposes. However, musicologists and historians have written several posts claiming that Peter Shaffer "trashed this immortal". What none of them can see is that in "Amadeus" you can find scenarios which are plausible while others are "fictional ornament". Within this paper I shall make an effort to point what's fiction or untruth. The center of this play lies on the personality of Antonio Salieri and his fanatical jealously of Mozart. To convey this plot, it had been mandatory that Salieri had motives enough dislike Mozart. So it was essential to construct a personality that was extremely capable but without the talent whatsoever to contrast with a genius that behaved badly. For this, Salieri could have reasons to be envious. As his very first attempt to convey his plot, Salieri is revealed as a musical hack because we could see in this biography: "Bewildered, MOZART does this (halts and listens), becoming aware of SALIERI playing his March of laughing. It is an extremely banal piece, richly -- but just vaguely - reminiscent of another march to become very famous later one." The truth is that Salieri was known as a wonderful composer and that is the reason he had been appointed as the court composer and imperial Kappelmeister. He had many students, including Beethoven, Liszt and Schubert. His operas were performed and valued in Italy and France during 1778 to 1790. Regrettably, his style lost worth and his works were no longer popular in the conclusion of the XVIII century. However, revealing Salieri as only a competent musician was deliberate in order to convey the storyline, which is the rivalry contrary to Mozart's artistic creativity and Salieri's intellectual capability. Salieri maintained his posts in the court from 1774 until 1824. He died a year later in 1825 and in his last years he suffered from senility. During 1824 there was really the rumor at Vienna that someone had discovered Salieri saying that he'd poisoned Mozart. However, many biographies of Mozart don't even cite that the probability of poisoning and at 182...

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