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Since its initial publication in THE BRAND NEW England Magazine in-may 1892 and its own subsequent resurrection by contemporary feminists in the l970's, Charlotte Perkins Gilman's novella, "The Yellowish Wallpaper" has truly gone through varied interpretations. When it had been originally written, "The Yellowish Wallpaper" was considered an account of horror, therefore horrible actually, that one editor, Horace Scudder of the Atlantic Regular, refused the task because he didn't want to create others mainly because miserable as he was when he browse it. As late as 1971 even, Gilman's function was anthologized beneath the group of horror (Kennard 75). It had been not until the function was rediscovered and republished in 1973 that contemporary feminist critics recognized the feminine hero as a victim of culture (Kennard 75). Nevertheless, "The Yellowish Wallpaper" is greater than a tale with a fictional personality; it's the whole tale of its creator. Gilman, in addition to her heroine, suffered through postpartum depression. She not merely had to combat the depressive disorder and isolation to be a mother but also the cultural mores of that time period which didn't condone career-minded moms. Society's primary guardians of the position quo in this situation were the physicians who found it essential to treat females who were significantly less than happy within their domestic functions. In her case, the procedure was administered by Dr. S. Weir Mitchell for whom Gilman mentioned she wrote "The Yellowish Wallpaper" (The Living of CPG 121). Gilman regarded that she had a need to escape the confinement of the house before she could turn into a career female who also been a mother. It had been through "The Yellowish Wallpaper" that the changeover from homebound mom to career mom began. The emotions she experienced as a fresh mother weren't unlike those of ma...