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Transcendence and Technology in Neuromancer "Where perform we go from right here?" Case asks close to the summary of William Gibson's novel Neuromancer (259). One response suggested throughout the majority of the narrative is normally nowhere. Accurate, geographically we are whisked around the urban centers of Earth soon, Chiba Town, the Sprawl, Istanbul, and to the orbital satisfaction domes and corporate stronghold of Straylight and Freeside. The type of movement to that i am referring isn't overtly physical, though. Neuromancer articulates a movement inward, its interest focused upon delicate interiors; it is implosive instead of expansive, choosing to look at how technology impacts the universe of personal, individual consciousness, instead of the universe most importantly (Csicsery 188). Every human being personality in the novel continues to be static psychologically, wired right into a predetermined behavior pattern, a inescapable identity seemingly. Human characters appear incapable or unaware of forming or reforming an individual, provisional, significantly less than absolute notion of self. Wintermute, an Artificial Cleverness, a computer, nevertheless, acknowledges and tries to transcend itself. The boundaries between humanity and the devices it produces are blurred. Old paradigms of personal, of identity appear obsolete. The type who possesses the best capacity for switch in the novel is normally a machine. That is neither an indictment of humanity nor an endorsement of technology. Instead, the novel remains steadfastly ambivalent toward what Gibson himself calls "the mixed blessings of technology" (Interview 274). The novel asks us to consider the problem of individual identity aside from physical human existence, within a techn...