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Proceed Down Moses by William Faulkner can be an artful assortment of short tales that connect in a biblical style to make a coherent novel. Within each tale Faulkner beautifully illustrates the tensions due to man’s struggle to conquer the curse of Adam, and how that biblical narrative performs out in the South. A complicated family tree suffering from sin and encompassing two “races” with a intensely mixed bloodline gradually unfolds from chapter to chapter. In almost every story, the black heroes are juxtaposed against their white counterparts, neither competition could be understood without the existence of their opposite. Faulkner uses this setup to contrast the dark slave community’s humanity and capacity to like repeatedly, against the white community’s refusal to take care of them as a lot more than heartless bits of property. Rider, Eunice, and Molly Beachem are outstanding pictures of the real compassion and humanity of the black community. As the Sheriff, Old McCauslin, Roth Edmonds, and Ike demonstrate the white man’s inability to see these qualities in blacks, and the sin that results out of this blindness. Rider, the protagonist of “Pantaloon in Dark” and a traditional renaissance picture of manhood considering from his waistline down, demonstrates his capability to appreciate through violent grief over the loss of life of his wife. Rider, previously a guy about town, turns from his drunken methods upon meeting Mannie, his upcoming wife of half a year just. As a genuine pantaloon should, Rider normally expresses his grief through the intensity and power of vigorous activity and violent anger. He's first seen shoveling dirt so fast that “the mound appeared to be rising of its volition, not really developed from above but thrusting upward from the earth itself” visibly.