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The concept of tradition and heritage in the modern world has turned into an idea of importance to both native peoples and also the descendants of the European colonists who attempted to Westernize the lands that they discovered and the people inside them. This idea has taken a lot of forms in the last few decades and not-so-recent years. 1 form it has been examined in is that the literary short story. Thomas King's "One Good Story, That One" along with Chinua Achebe's "Dead Men's Path" utilize characters and battle to make a statement concerning the loss of tradition and heritage so as to demonstrate the effect of colonialism on native people and their civilization. The representatives of colonialism in these tales are white guys in positions of superiority. In King's story, they consider the part of anthropologists, well-educated and well-dressed, while in Achebe's story, the white man is a manager in charge of overseeing everything the black primary character will. The presence of those men, all of European descent, is a metaphor for the manner in which the original colonist behaved. The supervisor's position of authority over the 'lower' black man is reflective of the mindset that leads to lack of heritage, while in King's story the mindset the anthropologists screen is that of the conqueror: expecting to get their desires (to listen to an older conventional narrative) fulfilled by people who were defeated. They do not even deign to sit together with the person they are requesting this of. "These three prefer to endure. Stand still." (pg... p.. .) These figures remain nameless and faceless, just known by their names, throughout both stories. Maybe this is due to their true goal in the narrative isn't as a personality, but as a logo for the perspectives of the colonists. If the white guys.