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T.S. Eliot's "The Love Song of J. Alfred Prufrock" brings attention to the notion that time is of the nature. On the surface, Prufrock is depicted as a man who's incapable of making decisions and lacks self-confidence. That is evident by his passive nature, where he always delays needing to talk to women because he believes there is sufficient time. Written in the age of modernism, the reader is able of unraveling that the poem's actual goal was not just to reveal Prufrock's inability to make decisions when it comes to appreciate, but to demonstrate the desolation that you faces in times of an modernistic transition. Eliot depicts Prufrock's transition phase via a gloomy and solemn tone, including imagery, metaphor and synecdoche to totally illustrate Prufrock's despondent frame of mind and spirit. Prufrock invites us, the reader, throughout his journey of self-evaluation and self-examination, as he is "LET us go then, you and I." He uses personification in lines 5, then "the muttering retreats" to describe his surroundings as if it were living. The "retreats" are not "muttering," but it appears that way because they are the kinds of places where you would run into muttering individuals. Also, the restless nights mentioned in lines 6 and 4, "let us go, through specific half-deserted streets/Of restless nights in one-night cheap resorts" allude to modernism--young folks walking through the night, in and out of one-night cheap hotels. Another indication of the celebration and city-life is how observing Prufrock seems to be as he recalls seeing "sawdust restaurants with oyster-shells" (7). Being that sawdust is likely to soak up liquid that's spilled on dancing floors of blossoms, and even oysters are aphrodisiacs, this suggests modernity. The use of i.. .