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Salvation and Meaning at Elementals At least one of Byatt's messages, possibly the overriding man in Elementals; is all that artwork, curiosity, and stories rescue us. I would also concur with the philosophical premise that they do, in fact, give our existences significance. Since both of these aspects are connected, I shall be pursuing both threads in my essay. There's considerable evidence in this quantity that aesthetic expression and desire play a significant part in the makeup of figures' lives. Think of Patricia Nimmo at Crocodile Tears, along with her diversion of purchasing; "a classical pillar of falling white silk jersey pleats. A fairly pair of golden slippers, along with a honeycomb cotton robe, in aquamarine. These items gave her pleasure." (p18) Equally, the long, descriptive passages Byatt is devoted to utilizing would be a decadent revelling in capturing the essence of a thing; they are functions of art in their own right. "Here were beauty and danger level to a wall. She stared. How can you determine when to stop taking a look at something? It is not like a novel, page after page, page after page, end. How can you pick?" (p52) It seems evident that when Byatt writes a word like 'It's not enjoy a novel, page after page, page after page, finish', she's trying to make an exception of her own job. Byatt's writing invites continual re-inspection, it can be considered on several levels of meaning, and some of the pictures which she explains hold exactly the exact qualities as a particularly striking painting. If she writes of 'beauty and hazard flat', so, she is also talking the metaphor of existence and its capacity to be recorded within a work of art. For Bernard, interpretive art is what gives existence significance. The cherry blossom at the end of A Lamia i.. .