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A Sculpture of Adam from Tullio Lombardo With functions in every known medium, from every area of the world, throughout all things in history, exploring the vast collection of the Museum of Modern Art has been an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historic collection, reflecting the maturation of a number of art forms in Western Europe. The division's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and jewelry, glass, and tapestries. The gallery attracted my admiration of the realistic qualities of the human body frequently portrayed in sculpture. In my examination of the works, I came across a particular sculpture that depicted both beauty and craftsmanship. A 15th century sculpture (1490), created in Venice, Italy by Tullio Lombardo, shows a life-size figure of Adam. Titled Adam, the job has become easily the most notable in the gallery mainly because of its 6-foot standing. It immediately caught my attention and gave me a very sensible impression. One beige color and made from marble, Adam is depicted simply, yet the statue has intense emotions. His purposeful glance is observed in the upwards and tilted head posture. Adam has nearly lifeless appearing eyes and appears to be staring into the distance. With these sagging eyes, parted lips, and inducing posture I believe AdamвЂ™s guilt is exhibited in this figure. I recognize this as the spiritual figure Adam because of my understanding of the biblical tale of Adam and Eve and the event of the first sin. The Fall of Mankind corrupts the pure relationship with God and creates salvation needed. Adam and his wife Eve were permitted to reside in heaven without any restrictions imposed on these. The...