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Ayn Rand’s The Fountainhead provided an egoist personality, Howard Roark, and portrayed him from what society needs, but unwilling to admit the necessitate. Roark’s meaning of existence differed from others he connected with, which still left him isolated toward them, but benefited his impressive success in architecture. Enthusiasm, devotion, and effort stranded Howard throughout his profession despite having the discouraging incidents taken to him by the devious character types, Peter Keating and Ellsworth Toohey. Several people appealed to Roark’s lifestyle and function ethic, Gail Wynand, Dominique Francon, and Austin Heller. When Howard familiar with his true friends, his philosophical meaning of existence erupted out of him quickly, contrast to everybody else associated with him, offering them with an encouraging feeling of belonging. Howard Roark exposed to the person told to end up being his arch enemy, Gail Wynand. Wynand became captivated by Roark’s capability of surviving the brutal globe of architecture in a solid but confident manner. When Wynand and Roark visited the national country home, Roark shown the branch he tore off a tree and compared it to the materials that the planet earth provides everyone and their duty says to create something of it; the task of the average person who makes something of it proves how effective the materials (the branch in Roark’s words) seems. Howard’s words, “Now I could make what I'd like of it: a bow, a spear, a cane, a railing,” signify an ind...