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Different Kinds of Disguise and Deception in Twelfth Night Twelfth Night is regarded as Shakespeare's most complete comedy. As in many comedies, Twelfth Night celebrates distinct forms of disguise and deception in order to make the drama more enjoyable. " There is something in it which is deceivable"(ActIV, ScIII), indeed the crux of the play is based on disguise and deception. The most significant deception would undoubtedly be Viola's disguise as Orsino's page, Cesario, which makes the story remarkably fascinating. In addition to Viola's disguise, the deceptions of a few characters further intensify the entertainment of this drama. The different forms of disguise and deception paradoxically during the play result in a lot of misunderstanding and subsequently, a lot of humour. Viola's disguise as Cesario is the source of much of the deception in the play. In the very start, Viola was warned of the dangers of being lonely in Illyria, so she is decided to go into disguise, "conceal me exactly what I am" (ActI, ScII). Viola is subsequently disguises as a man eunuch and functions for the Duke Orsino. Under the impression that Cesario is a boy with young looks, the Duke delivered Cesario to woo the Lady Olivia on his behalf. Sarcastically, a love triangle is formed since not only Viola who has fallen in love with Orsino, Olivia has fallen in love with Cesario too. As Cesario is a boy in Orsino's eyes, Viola is unable to confess her love for Orsino, "I will do my very best to woo your woman/ Yet, a barful strife! Whoe'er I woo, myself would be his wife" (ActI ScIV). The fact is obviously kindless, Olivia is not interested in the Duke, "Your lord does k.. .