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In his book Being There, Jerzy Kosinski shows how current day civilization has strayed away from the perfect society that Plato explains in his allegory of the cave. Inside his analogy, Plato describes the different stages of life and education through the use of a cave. In the first level of this cave, Plato describes prisoners who are shackled and facing a blank wall. Behind them would be a wall of fire with a partition that different objects are manipulated and placed by a different group of individuals. These shadows are the only action that they ever see. They can only talk to the encompassing prisoners, and see the puppet show on the wall in front of those. Of course, the prisoners come to think that the shadows on the wall facing these are reality. The next level of the cave is at which a prisoner is released of these chains and is forced to examine the light of their fire behind him. The light hurts his eyes, and after a minute of confusion and pain that he sees the figurines on the tight wall facing him. These were what caused the shadows that he required to be truth. This enlightenment is actually the start of instruction for the prisoner. He then is taken from the cave to the light of the sun. At first the prisoner can see just shadows, then reflections, then real people and things. He understands that the statues were only copies of the things he now sees out of the cave. After he's adjusted to the light, he will look up to sky to obtain a true comprehension of what reality is. This is exactly what Plato refers to the understanding since the Form of Goodness. In Being There, Chance is at the deepest part of the cave, yet the world around him is too dumb to realize this (Johnson 51-54). The most important character of Kosinski's novel is Chance, a.. .