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Walking alone on the road, Claire ceases to think about she's likely to do next. She thought of her day so far of hanging out with buddies and wondered whether there was anything she wished to do. Not considering how others perceived her or how she's absolutely free to make her own decisions, so she jumped on with her day. A female of her century, Claire does not need to fret about standing, who she will marry, or distribute to somebody else's demands. Despite the Native by Thomas Hardy, here can be actually the opposite of that which the characters Eustacia, Thomasin, and Mrs. Yeobright Need to Be Worried about. Throughout the portrayals of the characters Hardy criticizes the limits put on nineteenth century woman. Girls in previous societal views were always seen fragile beings in need of protection. That is why marriage, though unofficially, was always needed to do anything within the world. Whether it was to get a greater social standing or to reach certain private objectives, union was allowed for a particular sum freedom for ladies. This opinion is accurate for Hardy's personality Eustacia. Trapped in Egdon Heath she saw "Egdon [because] her Hades and since coming there she kissed a lot of what it was dim into its tone" (Hardy 58). Letting her feelings of bitterness and entrapment cloud her opinion of this situation, she becomes unhappy. She heard of this rich Clym Yeobright coming home and hearing remarks of them creating "a very pretty pigeon set" makes her believe he had been the salvation she needed to escape her personal hell (95). This idea was not rare at the moment, girls often trying to make their life better hunted out guys that they perceived as rich and also higher status to accomplish their targets. Thomasin, on the flip side, never bought into the.