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Literary criticism is a hard study to grasp due to the many explanations that have to make sense for the critic's view to be comprehensible for readers. Knowing the function of the critic is vital. The writer is next most important element, beside the writer and the work itself. In this course, we've read several critics, that all have legitimate points. The critic's prospective is the 2nd most important element of literary criticism, next to the author and the job itself. Within this program, we've read many critics' opinions who all have valid points. The critics are what make the works comprehensible occasionally. Most, if not all, most of the critics have particularly interesting ideas on the aim of the critic. The materials in this class give the reader several things to contemplate, concerning the use of the critic. In class, we discoursed just how nothing is first, and you must agree with that statement; however, the writer's opinion is valid in the sense that it is told in a different angle or perspective. This reader believes that the critics can be harsh sometimes, but the harshness could be critical. The objective of the critic is not always viewed as black and white; but might be gray by nature. The uneasiness about the critic is so complicated that it forces the readers to rely on other critics' profound knowledge of this material. Literary scholars Matthew Arnold and Alexander Pope both have differing perspectives concerning the necessity of this critic, his role, and his power that he wields within the work/text. Even though Pope and Arnold are superb critics, they each bring something different into the playing area. Arnold brings the notion of disinterestedness and Pope summarizes the true qualities of a "great" critic. Although, the two crit...