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Love, Betrayal, Hubris, and Relationships at Cyrano de Bergerac Essays

Project id 1015717
Subject area Other
Document type Essay
Words 1463
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Love, Betrayal, Hubris, and Relationships in Cyrano de Bergerac  French authors and playwrights have been famous worldwide for their lively prose, complex situations, and unpredictable endings. The exact same praises hold accurate for Edmond Eugene Alexis Rostand. Born of Provencal ancestry on April 1, 1868, Rostand had been well-learned, according to his extensive childhood education for a student of this lycee of Marseille. His dad was a prominent member of their Marseille Academy. As a direct effect of this high influence, Rostand concluded his research in the College Stanislas in Paris. He analyzed, under the direction of the then-renowned Professor Rene Doumic, the works of those creme de la creme writers held in high regard - Victor Hugo, Alfred de Musset, and William Shakespeare. His interactions with both French and Spanish cultures helped augment his success as a magnificent poet. Furthermore, Rostand helped Emile Zola in encouraging Captain Dreyfus, who had been unjustly convicted of treason (Kahr 186). As a Meridional, Rostand was heavily inspired by Victor Hugo. In school, Rostand found "a literary world ... in which naturalism and exoticism flourished" (vii). This mindset was shaped as a consequence of the devastating Franco-Prussian War of 1870. As a member of this 1880s generation, Rostand was also influenced to become the perfect Romanticist of his period. Rostand's fourth play, Cyrano de Bergerac, given him the most fame. Rostand usually modeled his plays after traditional, intimate subjects and settings. A vast majority of the achievement of Rostand's play can be accredited to an interesting plot, a wealthy and sophisticated language, and real life dialogue (to those of his lifetime). Cyrano de Bergerac, the play, surfaced.

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