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Art Type Selection - Music This week’s assignment provides been quite difficult while I attemptedto obtain the “gist of it all”. The first topic I will report on is certainly (Perception Key: “Swing Low Nice Chariot, Chapter 9, pg 256). 1. What's the proportion of tonic notes (F) to all of those other notes in this composition? Is it possible to make any judgments’ about the capability of the piece to create and release stress in the listener based on the recurrence of F? There have been: (33 F’s), (14 A‘s) (7 D’s), (12 C’s), and (2 G’s). I observed when I sang the term corresponding to the F be aware; my voice didn't appear strained. Nevertheless, when singing another term (say that acquired an A or D notice) corresponding to it, there is not just a difference in my own tone but it appeared my singing was tenser. If not really for the F essential (which appeared to play an essential part in the melody) it might be an extremely unsettling piece. It’s the F essential that made a notable difference in the true way the track impacted me. 2. Any kind of areas in the composition where you anticipate F to be another note but it isn't? No, I attemptedto sign the song with the addition of F someplace else in the composition and it had been very difficult because once more the F essential is positioned in places where in fact the music and words and phrases will flow freely quite easily. If F comes when it's expected always, what will that signify for the amount of tension the piece produces? As mentioned earlier, if not really for the F essential the tension degree of the piece will be extremely high because the F essential dominates this piece 3. On the main one hand, the ending of the piece produces a solid degree of finality. However, in the centre section the feeling of finality is a lot less complete. Is this difference between your middle section and the ultimate end...