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Written six hundred and fifty years apart from one another, Matsuo Basho's Oku no Hosomichi and Ki no Tsurayuki's Tosa Nikki are both examples of nikki bungaku or "journal literature." Both of these traveling diaries reflect the thoughts and values of their individual time intervals. Tosa Nikki and also the Tosa Diary has been composed in AD 936 by Ki no Tsurayuki. Told from a woman's point of view, it chronicles the journey out of Tosa about the island of Shikoku to the funds of Kyoto from Honshu. Previous to this, guys wrote diaries chronicling their political responsibilities and the entries were written in classical Chinese characters. Disguising himself as a girl, Tsurayuki broke tradition and wrote Tosa Nikki at kana and composed about the daily happenings of the trip back to the capital. This was the first of its own kinda. Tosa Nikki influenced the future of the nikki genre as, later on, ladies of the court could write about daily happenings of court life or gossip about the other women. Composed by Matsuo Basho at 1686, Oku no Hosomichi chronicles Basho's journey from Edo throughout the Tohoku area. Despite being descended from a low-ranking samurai family, Basho turned into a wandering monk, writing several anthologies of haikai poetry. The purpose of the journey appears is to be able to go to the areas that authors of older referenced as utamakura within their poetry and prose. There are several main differences between Tosa Nikki and Oku no Hosomichi. Unlike Tosa Nikki, which was told from a female's view, Oku no Hosomichi is advised against Basho's, a guy, point of view. Second, Tsurayuki was a court while Basho was a travelling monk. Both authors travelled at a northward direction, however Tsurayuki proceeded by boat while Basho went to his journ...