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Alan Nadel argues that the goal of the fence in August Wilson's play, "Fences" signifies a excellent battle between the literal and figurative definitions of humanity and blackness. The writer summarizes the play and utilizes the personality Troy to explain the characterization of black skills, including Troy's baseball skills, as "metaphoric," which doesn't allow Troy to play in the white leagues because the period is set through segregation (Nadel 92). The author is trying to use the figures in the play as examples of black people throughout the segregation decades to show how people of that time considered black people much less literal entities and more like figurative caricatures. Stating that these people were considered to be in a kind of limbo between object and human. Nadel's thesis is not difficult to spot, and is actually pointed out directly onto page 88 of the text. It reads the August Wilson's play really investigates the position of black people because the metaphorical "fence" between humanity and property, asserting that the effects of this situation derives over the "context of snowy [America]" in order that a broader array of individuals can see the inner struggles of the black community. The entirety of this Nadel's post sheds light on a topic that is not simple for most writers to use without producing caricatures or exaggerated images of a stereotype. At first reading, the material is a little confusing, and somewhat daunting. However, after another reading, the text is simpler to grasp. Nadel's post would have been much more powerful if he took time to mention other characters than Troy. Adding more concerning the nature of Rose in this informative article created a more healthy and much better grasp on the topic of the weapon, that Nadel...