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The 1976 Film Carrie Directed by Brian de Palma Essay

Project id 1014539
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Document type Essay
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Carrie (1976) The 1976 film Carrie was directed by Brian De Palma. The overview of the film is really a young, silent and timid 17-year-old woman name Carrie White. She experiences moments of insanity, she is able to move things and create things happen unexpectedly. She's telekinesis that contributes up to her ultimate revenge at the prom following a humiliating prank against her. Throughout the movie its form is into the orgasm of the catastrophic night in the promnight, dependent on the anguish and bullying that the "hot" women pick on innocent/quiet Carrie. Brian De Palma, "Master of the psychological thriller" has always proved a fluent and inventive cinematic style. De Palma occasionally criticized as a mere imitation of Alfred Hitchcock. Although it pays homage to Hitchcock, differs beautifully in subject matter and technique, additionally criticized for portraying graphic violence. De Palma responds that he is incorporating Eisenstein's theory of montage as conflict which "movie 'is' violence." Stylization acts to aesthetically distance De Palma's violence so that it turns into a visual impact instead of a pragmatic detail. De Palma's fascination with all the double role of the gifted young person as a heroic ideal and outsider is exemplified in Carrie and The Fury (1978) (http://hitchcock.tv/people/depalma.html). De Palma's most important contributions to contemporary cinema lie within his imaginative, visually dynamic style. He frequently employs such methods as the stalking, hunting camera; the "God's eye" point of view; and an expressively in depth mise-en-scene. A master of rhythmic editing, he frequently opens his films with a long, viscerally composed sequence. The now-classic prom sequence in Carrie, with its use of the split screen, slow-motion an...

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