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Sartre's Theories and Sylvia Plath's Poem Lady Lazarus After reading Sartre's Essays in Existentialism, I evaluated Sylvia Plath's poem "Lady Lazarus" based on my interpretation of Sartre's doctrine, then used this aesthetic impression to evaluate the effectiveness of Sartre's concepts as they apply toward evaluating and understanding art. If you haven't read the poem in question, I suggest you go here to check it out before reading this informative article. "We write our own destiny - we get what we do." - Madame Chiang Kai-Shek If a reader encounters Sylvia Plath, instantly he is conscious that he hasn't read anything like this. Other poets might have similar styles, handle similar topics - they may even have worked on the exact ideas at precisely the identical time or even been compared as equals - but none so wholly produces a personal yet available world and way of presence since Plath. Jean-Paul Sartre highlighted the significance of knowing the individual artist as she relates to her job. It's through the existence the artist creates that we gain access to a way in which to comprehend them. To assess an artist's work is to experience an artist's presence and truth as she has defined it. Sartre contended that there's no universal human nature. Contrary to Hegel's principle of historicism which describes an ever-evolving human character present at any ancient epoch, Sartre believed that it's actually our existence which simplifies our character, for example by our actions, we specify what we become. Sylvia Plath ardently believed that she had been the shaper of her destiny, that she was finally free to become what she would eventually become and as such ultimately accountable for making herself what she knew she wanted to be. In her poem "Lady.