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Queen Elizabeth and Annabella in "Tis Pity She's a Whore" with John Ford Annabella, the female protagonist in John Ford's drama, 'Tis Pity She's a Whore, finally dies after attempting to meet the conflicting demands that her brother and dad place on her. While her brother, Giovanni, orders her to become his clandestine lover, her dad, Florio, anticipates her to wed a socially right guy and keep a child. These needs closely resemble the real life requirements that Queen Elizabeth I am subjects set on her since they simultaneously desired her to meet their sensual desires, marry a politically appropriate guy, and make an heir to the throne. Ford's play "was first published in 1633," thirty years following the death of Queen Elizabeth I, however "nostalgia from the late 1620's and 1630's [drove] peopleto measure a worsening political position against necessarily heightened memories or impressions of what life was like under the terrific queen" (Morris vii; Barton 724). As soon as it is not clear whether this nostalgia for its reign of Elizabeth drove Ford once he wrote his play, there are clear parallels between the requirements which were put on the factual Elizabeth and on the fictional Annabella; furthermore, there are striking parallels between the answers to the two women's deaths. Both women were expected to forever remain objects of man sexual appetite, as well as the characteristics of Elizabeth that evoked erotic desire inside her subjects parallel the characteristics of Annabella that elicit erotic desire in Giovanni. Just as "courtiers paid homage to Elizabeth within an ever-youthful yet unapproachable object of desire[,]" Giovanni confesses to Annabella, "[T]he view / Of thy immortal beauty hath untuned / All harmony both...