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Hell in Dante's Divine Comedy Essay

Project id 1014268
Subject area Other
Document type Essay
Words 1118
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Hell from the celestial Comedy and Aeneid At Dante's Divine Comedy, Dante integrates Virgil's portrayal of Hades (At The Aeneid) into his own poem, also similarities between the Inferno and Hades can be drawn, however Dante wasn't attempting to duplicate Virgil's functions. Although the Hell depicted in Dante's Inferno is essentially dependent on the literary construction of the underworld located in Virgil's Aeneid, in their details the two kingdoms are quite different. Virgil's underworld is largely propounded, and Aeneas walks through it without taking any particular notice of their landscape or the quality of suffering that takes place among the deceased. Aeneas' primary difficulty is with the destiny of his buddies, then with meeting his father once more: the philosophical and spiritual significance of sin and death is nothing to him, and there isn't any moral judgement implied from the destiny of the departed. In Dante's Inferno, on the flip side, there's a systematic differentiation of the scene, and each progressively lower circle of hell implies a deadlier sin. The caliber of punishment handed out to the sinners is thus increased as Dante's descend, and Dante's compassion for the deceased lessens because he moves downward to the bottom of hell. Virgil's underworld is truly an expansion of the natural universe, being entered via a cave mouth at the end of a shore at the Euboian settlement of Cumae, renowned as the dwelling of Sibyl, it is she who permits his passing to the kingdom beneath: The cavern was profound, wide-mouthed and enormous, Rough underfoot, defended by dark pool And gloomy woods. Overhead, flying things Could never take their manner, such as Exhalations climbed in the black lava Into the mantle of heaven. (Fitzgerald, p168).)

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