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The work of Frida Kahlo frequently labeled and recognized as feminist art continues to explain and establish exactly what feminist art is. Wife of the well known and highly regarded Diego Rivera, Frida struggled to become an artist in her own right. Her extremely fervent love for and devotion to her husband shown itself in an odd manner in their unconventional and one of a kind marriage. However it's partially this obsession with Diego that helped inspire her success as a feminist artist. Her ardent political and radical spirit resonates from the areas of her paintings because she says, "I want my work to be a donation into the battle of the people for peace and liberty." (Herrera p.263). She confronts her pain and discomfort and openly exposes herself in her work. Basically Kahlo's work includes and encompasses all of the theories and themes discussed in Art History 466. Stress and suffering, lively political and social awareness are present in her paintings, and most significantly an acute awareness of the ability of the feminine and of feminist artwork is widespread also. The enthusiastic, seductive and exotic nature of Frida's work is used combined with humor, pain and endless emotion emphatically saying her consciousness of the power she as a woman and an artist possessed, despite her unquestionable and undeniable insecurities, frustrations and suffering. She used these attributes to her benefit in creating some of their most astonishing works unarguably and undisputably renowned for their intellectual and aesthetic excellence. Despite its original appearance of a simple picture lacking the usual surreal qualities of Frida's work, her Self Portrait Dedicated to Leon Trotsky is saturated in sensuality and puzzle requiring additional investigation. Together with her led, seductive gaze Frida holds a personal dialogue with Leon as she presents herself as a present to him. In her biography on Kahlo, Hayden Herrera notes Frida "was flattered to be adored by the Great Russian, fascinated with his mind and moved by his appetite. Frida was delighted to have an affair with Trotsky" (Herrera p.212). Kahlo's portrait, while introducing a relatively small picture, is monumentalized by the saturation of emotion and passion that she shares with Trotsky. The portrait, inducing the usual bloody and shocking vision often seen in Kahlo's job, isn't di...