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John Fowles, utilizes classic fairy tale as depicted by additional literary works to structure his narration from The Collector. He tells his version of a fairy tale by creating the personalities of Clegg and Miranda to imitate Ferdinand and Miranda in The Tempest, Romeo and Juliet, both the Prince and Belle in Beauty and the Beast. The Collector and the aforementioned stories are comparable not in the circumstances of this narrative, but the conventional dichotomy of both captor and captive, good and bad, love and hate, that the characters of Clegg and Miranda depict. Fowles brings upon the classic Beauty and the Beast story of a beautiful princess set in captivity with her malevolent admirer. He also infers a similarity to The Tempest: The protagonist is named Miranda and Clegg's character sees himself as Ferdinand although his tendencies points more to a Caliban. According to Sherrill E. Grace, Fowles explored the Bluebeard tale and it influenced the dynamics of his writings. She states that "in reading Fowles and Atwood we court Bluebeards who continuously escape our reforming urges, in castles which are subtle verbal traps" (Grace 247). The theme of female imprisonment by a male which the Bluebeard story alludes, is adopted to narrate The Collector. Fowles retells and refines the Bluebeard story by structuring The Collector around characters with genuinely misshaped perspectives of good and bad and along these lines indicate a breakdown of the moral and social frameworks in the social order they depict. In The Tempest, Prospero is the one who lives for the arts whereas, in Fowles's novel, Miranda is the one dedicated to the arts. Clegg's lust for power and control is depicted by the aristocrats in Shakespeare's The Tempest. Fowle...