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The Outsider by Albert Camus History: ‘In our culture,’ authored Albert Camus, ‘any guy who does not be sad at his mother’s funeral service can be responsible to end up being ruined to loss of life.’ This may appear a dramatic bewilderingly, nearly self-indulgent type of declaration, but it can be one which Camus brought to lifestyle in The Outsider, and to honestly upsetting impact. The Outsider has become something of a cult classic over the full years, in undergraduate circles especially. It inspired The Cure’s ‘Killing an Arab’, a song which attracted a degree of controversy when it was (wrongly) assumed to advocate racial violence. The Outsider itself provides also been subject matter to an array of presumptions and myths, with relation to its philosophical task especially. In my opinion, however, it is not only one of the great novels of the Twentieth Century, but also one which provides a useful introduction to one of that century’s most compelling philosophical movements, Existentialism. The Outsider, first released in Italy as ‘D’Étranger in 1942, can be frequently viewed as the very best example of the Existentialist book, outshining actually Sartre’h La Nausée. This in itself is an extraordinary feat, for, whilst Jean-Paul Sartre was regarded as the founding father of Twentieth Century Existentialism generally, and held an almost unassailable sway over France’s academic elite for several decades, Albert Camus emerged as a relatively obscure journalist and playwright first, who had grown up in poverty in Algiers. Sartrean Existentialism is normally a finely wrought factor, the agonising complexities of which had been given in his heaviest, most serious tome, Getting & Nothingness. In 1945, he defined the Existential task as ‘the attempt to attract all the outcomes from a g...