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Analysis of Similes from Virginia Woolf's To the Lighthouse 'Thoughts are made of images' Our consciousness may be thought as a photomontage of simultaneous opinions, largely visual, according to poet John Ciardi (238). In verbalizing conscious experience, authors tend to use metaphor and simile to create pictures which, such as words, have both denotation, visual identification, and connotation, a psychological aura (Ciardi 239). In To the Lighthouse, by my count, Virginia Woolf employs more than a hundred similes, figures of speech making an explicit comparison between two things fundamentally unlike, to enliven her description of items, locations, and people. The vast majority of these similes relate to people; furthermore, of these relating to individuals, over thirty clarify Mr. and Mrs. Ramsey. The similes Woolf uses to explain Mr. and Mrs. Ramsey fall into 3 big categories - objects or forces of character, human, and animal - and reveal Wool's feelings about her parents. To reveal the climate created in the house from the emotional interplay involving a gloomy, amalgamated guy and an spontaneous, nurturing lady, Woolf contrasts Mr. and Mrs. Ramsey into compels or items in character. When Lily Briscoe and Mr. Banks discover Mr. Ramsey, a professor of philosophy, even at the hedge and disrupt Ramsey's thoughts, Ramsey withdraws childishly. Hunting comfort and sympathy from his wife, Ramsey storms into his summer house "dropped because of thunderbolt" (30). A later passage reveals that the Ramseys' relationship "was no monotony of bliss": Woolf portrays Mr. Ramsey as a humorous man whose brutal outbursts shook the house "like a gusty wind were blowing off" (199). Nurturing her child-like husband exhausts Mrs. Ramsey that Woolf metaphorically calls.