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The Battle of the Sexes in Susan Glaspell's Trifles 'Well, girls are used to worrying over trifles,' (Glaspell 957) remarks crime scene eyewitness Mr. Hale at Susan Glaspell's short play Trifles. While this quotation blatantly demonstrates, literature has had a lengthy history of gender bias, both with respect to adequate representation of women as authors and as formidable, powerful characters. Inside this regard to the sheriff's wives, Mr. Hale presents the argumentative conflict that will prove widespread, if latent, throughout the course of this work. In the play, the male characters are regarded as intellectually superior to their own wives, that are patronized as quite childish because of their concern in domestic detail. In Trifles, Glaspell makes a feminist leap as she portrays her female characters with ample cunning to secretly and humbly triumph over man condescending. The action of Glaspell's play is accomplished with a mere five players, three of whom are guys - a fact which in itself demonstrates the establishment of women as a minority, even in such a tiny sampling. The county lawyer, Sheriff Peters, Mrs. Peters, eyewitness Mr. Hale, and Mrs. Hale are drawn together in a gloomy and atmospheric farmhouse to investigate the murder of Joe Wright, whose spouse is the prime suspect. In the drama's most basic introduction, we're presented with a noticeable differentiation between the men's and women's viewpoints. The men immediately perceive the house as a crime scene and therefore feel compelled to interview Mr. Hale about specifics of his visit and officiously search for smoking-gun proof concerning the killer?s motives. Conversely, Mrs. Hale and Mrs. Peters comprehend the environment as a thing more inti...