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About the genre variety, Big Fish and Cold Mountain are miles apart. The first is that a magical assortment of fantasy and reality driven by a guy running from a beloved one; the moment is a historical fiction propelled by means of a man looking for a beloved one. Besides the striking and thematic differences, the underscoring of both movies is opposing from the approaches used to achieve similar ends; namely, serving the five purposes. Danny Elfman, the composer with this Tim Burton movie, interlaced an elaborate and coordinated underscoring for the film, forming a piece which rivals that of Edward Scissor Hands. A first noticeable gap between the two films is that the sheer quantity of underscoring and origin music used in 1 film as compared to another. Big Fish uses abounding amounts of film music, varied in nature from healthy to disheartening. The tall-tell movie required the necessary amounts of music in order to add acceptability to the many fantastical elements. Some moments would not have had the same effect or proposal, though Elfman's influence had not been at the background to assist suggest the desired disposition, as in the spectacle of William's arrival since he slides across the floor. The monitored music is made up of upbeat banjos and lyrical nonsense - like baby sounds, indicating at the nonsense of the whole situation. Whereas, Cold Mountain had a good quantity of scoring, however much of the music was simple, insistent, or concise. On the idea of simplicity, Cold Mountain had a simple leitmotive between Ada and Inman that was dubbed into scenes which had the aid of transition between the two fans, or indicate distant connections, like when Inman would return to Ada, before the spectacle could pick up on Ada and continue from there. Significant Fish h.. .