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In the poems Blake utilizes the frequent symbol of a flower to symbolize a woman to emphasize the problem of the conception of the feminine. Though it's the speaker of the Innocence poem "The Blossom," the young blossom stays stationary when observing the action of two birds at precisely the identical place. The blossom watches the sparrow "Seek[s] [its] cradle narrow" or visit the nest, a representation of a male returning to his house (5 feet). Within the next stanza, the blossom notes that a robin "sobbing" next to it (10). Each of the action in the poem is carried out by the birds while the blossom remains stationary and just "Sees" and also "Hears" (4), 10). Action versus passivity from the poem aligns the birds using all the masculine and the blossom using the female, plugging into conventional viewpoints of each sex concerning sex and germination. While guys, such as the birds, consciously find the right partner, the guys, like the blossom, want just exist as an object of attraction and desire. Much like gendering is observed in the Experience poem "The Sick Rose." Such as the blossom, the the improved is at the center of this poem even though the action involves a more lively being interacting with it. The only real secret in the poem connected to the improved is at the very first line in which the speaker proclaims, "O Rose thou art sick" (1). All of the other actions is done by "The invisible worm" that's eating the rose (two). Even though the birds at "The Blossom" have been supposed to be read as masculine due to their active role in germination, the blossom's observation that the sparrow flies "swift as arrow," an explicitly phallic image, results in the bird's alignment with men (4). The worm in "The Sick Rose" is similarly siphoned and, like the birdthat plays an active role in the actions of the poem. .