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Magic Realisim in Foreigner, Egyptian Cigarette, and Enchanted Bluff Sarah Orne Jewett's "The Foreigner," Kate Chopin's "An Egyptian Cigarette" and Willa Cather's "The Enchanted Bluff" are stories which contain Magic Realism Magic Realism is normally thought as a construct of several writers from UNDER-DEVELOPED countries. This form of writing reasonable fiction wherein the amazing occurs and isn't regarded as unusual has been referred to as a means of breaking from the constraints of linear period and hierarchical thinking: basically, as a real way of escaping the patriarchal modes of writing which have dominated these often post-colonial countries. The definition of the kind of fiction writing could be expanded to add women as representatives of repressed cultures. As authors, these women were frequently trivialized as "scribblers" throughout a time women cannot even vote, plus they could be regarded "colonized" by their lifestyle. Consequently, Sarah Orne Jewett's "The Foreigner," Kate Chopin's "An Egyptian Cigarette" and Willa Cather's "The Enchanted Bluff" are stories that can and really should be talked about in the context of Magic Realism - perform they or perform they unfit within this form of re-writing reality? Each one of these writers depicts "magic" in different ways. Their amount of acceptance for these unorthodox occasions in realistic fiction displays their willingness to "bend the guidelines" of traditional fiction. Sarah Orne Jewett's "The Foreigner" is a tale which features some extremely interesting magic components that place her firmly "outside" of simple fiction with this tale. Her characters, Mrs. Mrs and todd. Tolland, are incredible images of witchiness amid Protestant propriety, and in this short story.