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The Power of Language in King Lear It is often tricky to obtain entry into a job of such dazzling and complete genius as King Lear - reading Shakespeare can sometimes feel like attempting to get a fantastic long look at sunlight on a cloudless day. And yet there are moments when one comes across passages which, from the sheer force of their lyrical, poetic beauty, leap off the page and resonate so strongly inside one's head that they turned into a sort of distillation of the entire play. One can read this play over and over, and still be struck by Shakespeare's utter command over language; surely there's not any other author who had so full a sense of, and that used to these merciless endings, the ability of words. In a genre that warrants the novelist's luxurious of storyline explication, speech in its barest, purest type, becomes Shakespeare's accuracy tool, and he wields it with a perpetually astonishing combination of force, subtlety and exactitude. The opening lines that are quoted, when brought from their immediate textual surroundings, form for this reader the kind of distilled illumination indicated in the preceding paragraph. All these are the words of these sightless and stumbling Gloucester, since he begs a passing stranger, ''that, unbeknownst to him is the boy that he so belatedly recognizes as faithful), to assist him to his own departure; by the close of the drama, this passing becomes a central paradigm. Despite the afore-mentioned obstacle (an obstacle the surmounting of that returns so much enjoyment and insight) to readerly intercourse with Shakespeare, an individual could often recognize and trace rational devices he used in order the more effectively and just to communicate his message. The concurrent plot of Gloucester and hi...