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Edgar Allan Poe tells the tale of a bereaved guy who is certainly grieving for his dropped like in the composition, “The Raven.” During a dark and depressing evening, the guy listens to a hit at his door. Hoping that it is Lenore, his dead lover, coming back to him, he will go to open up the hinged door. Unfortunately, he is normally just fulfilled with dissatisfaction and emptiness. After shortly, a raven flies into the obtainable area through the windows and countries on the chest of Pallas. The man starts to converse with this mysterious and dark bird. In response to everything the man says, the raven repeats one dreadful word: “Nevermore.” The significance of the raven becoming linked to loss of life, and the man’s conversation with the dark parrot uncovers to visitors that he is usually heading through the levels of coloring. Consequently, the repeating of the bird’s one worded response makes it known that the guy will by no means observe Lenore once again because there can be no afterlife. The composition starts with a man’s dark evening becoming cut off by a raven of the same color. Typically, ravens are noticed as poor omens and bringers of loss of life since they are carrion chickens and give on the deceased skin of pets. The guy, understanding the relationship between the raven and loss of life, acquaintances the raven with “the Night’s Plutonian coast,” usually known as the underworld (48). The raven bears along with it a dark popularity. Maintaining its status, the raven provides loss of life to the primary personality. As the guy interacts with the raven, he is normally advancing through the phases of declining. The phases of declining are refusal, anger, bargaining, depressive disorder, and approval. This may appear familiar as they are the same levels of suffering. The levels of sadness and perishing both originated from the Eübler-Ross model of “death and perishing.” Having one model for both the grieving and n...