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Medea and Agaue, the tragic heroes of Euripides' Medea and Bacchae, signify similar notions. For both plays, the plot concentrates on these two personalities' success of vengeance, so that their desire to get a form of retribution is the main driving force behind the plays' conflicts. In every scenario, the revenges shot by Medea and Agaue are the results of their acting to their most basic, instinctual emotions with no self-control given by a more reasoned nature. Accordingly, the women and the pursuit of revenge eventually become representative of their emotional side of human thinking. The figures which Medea and Agaue eventually ruin, Jason and Pentheus, support and represent reason, civilization, and vision. As these male characters contrary to Medea and Agaue carry their payback hold purely civilized and unemotional worth, they become the reverse of their play girls. Therefore, the conflict in every play becomes less particular. Instead, the two plays seen together grow to be a more generalized reflection on the natural resistance of logic and emotion, and the horrible outcomes of their imbalance. Revenge motivates both Agaue and Medea towards the ultimate destruction of every one of the opposing characters, but the viewpoints of each woman differ considerably. Medea's incentive for her activities is extremely clear: her lover Jason wronged her by breaking his claims to her and taking a different spouse. She plans all of her actions for the duration of the drama with her entirely emotional anger at Jason's betrayal. However, the emotion supporting Medea's activities still includes a type of justice. Since Medea signifies is a guest of Jason and the Corinthian king, her exile from Corinth constitutes a violation of xenia. This break in expert...