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Politics, Power, and Purpose in Shakespeare's Measure for Measure In Shakespeare's Measure for Measure, Vincentio, Duke of Vienna, observing that his Dukedom offers fallen into chaos and licentiousness through his neglectful authorities, has pretended to keep Vienna and has switched over the federal government to Angelo, his and up-tight Deputy upright; and that the Duke has resolved to stay in Vienna, in disguise, to ensure that he may observe Angelo's character is revealed or transformed in the crucible of the energy with which he has been invested. The Duke tells Friar Thomas, who's party to the plot: Lord Angelo is exact, Stands at a safeguard with envy, scarce confesses That his bloodstream flows, or that his hunger Is even more to bread than stone. Shall we discover If power change purpose therefore, what our seemers end up being. (1.3.5-54) My subject matter is how "power" adjustments - or at least influences - "purpose." However the "purpose" in question isn't, as in the play, the federal government of a town or of circumstances, nor even (as regarding Angelo) the government of your respective emotional and physical appetites, however the creation of a masterpiece of design, of a theatrical functionality. Discussing Angelo, the Duke poses his assertion as a conditional: he wishes to check "if power transformation purpose." My hypothesis is usually that, in the theatre, power does change purpose. I base this hypothesis upon several premises: that the theatre, as a complex collaborative talent, is dependent upon the coordination of the talents and temperaments of an array of individuals; that, in the theatre, they must be organized right into a process which inescapably consists of the establishment and articulation of power; that theatrical artists are, by their very nature, sensitive, e...