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Self-destructive Self-expression in The Yellow Wallpaper In "The Yellow Wallpaper", a tale by Charlotte Perkins Gilman, the conflict focuses on the protagonist's inability to keep her sanity in a culture that will not recognize her as a person. Her brother and spouse both exert their personal will over hers, forcing her to comply with their pre-set impression a proper code of behavior for a unwell woman. She has been given a "schedule prescription for every full hour in the day; [John] takes all care from me" (155). This code of behavior involves no exertion of her own free-will virtually. Rather, she is likely to accept the actual fact that her own ideas are mere fancy passively, and only the opinions of the men in her life could be trusted. She is likely to take their very own uninformed opinions on her behalf state of mind over her very own. While "Wallpaper" presents a robust argument and only the feminist movement, the real concern behind the conflict can be a lot more fundamental: the resiliency of human being will when confronted with social negation. Obviously, it really is impossible to maintain a wholesome state of mind in the oppressive environment encircling the girl. Throughout the story, the writer traces the girl mental deterioration from a having a standard but weakened sense of personal, to a total inversion of her ego. She inverts her orientation of her place in culture slowly, turning from society completely to be able to create a global where she can take action on her behalf own volition. In order to represent the stages of her worsening state of mind gradually, the author represents the girl struggles through a parallel with her view of the wallpaper. The wallpaper reaches first a seeming inversion of the girl mind, but it gradu is...