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"The Yellowish Wallpaper," by Charlotte Perkins Gilman, depicts a female in isolation, struggling to handle mental illness, which includes been diagnosed by her hubby, your physician. Going beyond this surface area level, the narrator sometimes appears by the reader as a developing feminist, fighting the societal values of that time period. As a female writer in the late nineteenth century, Gilman herself felt the undesireable effects of the male-centric society, and therefore, positioned many allusions to her own private struggles as a feminist in her writing. Throughout the whole story, the narrator undergoes a mental trip that correlates with the advancement of her mental condition. The limitations which society places on her behalf as a female have a worsening influence on her until disease progresses into hysteria. The narrator makes responses and observations that show her will to conquer the oppression of the male dominant society. The conflict between her views and the ones of the society is seen in the manner she interacts physically, mentally, and emotionally with the three most prominent areas of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the ultimate end, her illness becomes a way of dealing with the injustices pressured upon her as a female. As the reader delves in to the narrative, a progression is seen from the normality the narrator shows early in the passage, to the insanity she demonstrates close to the conclusion. As the tale starts, the narrator's compliance with her part as a submissive girl is very easily seen. She says, "John laughs at me, but one expects that in relationship" (Gilman 577). These phrases obviously illustrate the male's placement of power in a relationship t...