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At Literary Criticism, there is an thought that believes that Archetypes constitute literature's meaning. The notion of Archetypes in literature has become the subject of comprehensive examination in Literary Criticism. "Criticism can be simplified into two broad categories: evaluative and interpretive" (Gardner 1287). The criticism relies on Literary Theory, that consists of ideas that help interpret, and analyze literature. Everything in literature is a meaning, and lots of diverse people came up with strategies to evaluate and interpret it. The usage of Archetypes in Literary Criticism helped critics to translate a text, also find its hidden significance. In Archetypal Literary Criticism, archetypes have the concept that cultures, folk- stories, and common mythical beings all play a part in a text's significance. Carl Jung, a psychoanalyst, came up with the concept of archetypes while analyzing the human mind, and distributing dreams. Jung was born in Kesswil, Switzerland on July 26, 1875. In the beginning of his studies, Jung collaborated with Sigmund Freud, the creator of psychoanalysis, plus they both examined the language in dreams, which are essentially just symbols. Jung maintained that behind logos lie archetypes. "We match dragons, useful animals, and demons; and the Wise Old Man, the animal-man, the wishing tree, the hidden treasure, the nicely, the cave, and the walled garden, both the processes and materials of transformation in alchemy, and so forth-all items that in no way touch the banalities of everyday. The reason for this is that they must do with the realization of a region of the character which has not yet come to existence but is still in the process of becoming"(Jung 467). Archetypes represent practically Polanco two...