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I feel uneasy making comparisons because a successful work of art, whether it's a poem or a painting, then needs to be judged on its own merits. "Death Be Not Proud" and "Don't go gentle" are equally excellent poems, by 2 poets with different philosophic outlooks and different methods of studying the entire world, composed at different times, and in different styles. On the surface these two poets appear to be speaking about exactly the same items but a careful reading of these poems show that their views differ in both material and in design. John Donne has been a metaphysical poet of the early 17th Century, a clergyman, the Dean of St Paul's in London (WikiSource). The tag "metaphysical" was attached by the critic Dr. Samuel Johnson into some 17th century anglers who shared a frequent style: they employed comedy, subtle argument and connected our everyday life into the ceaseless, "looking past the real" (Lukács). Dylan Thomas was a mid-20th century Welshman, who worked for the BBC and drank himself to death before he turned forty. Aside from great poetic talent, there's little in common in their writings. John Donne writes concerning passing. In fact he addresses death directly: Death be not proud, you're neither mighty nor dreadful, you don't truly kill: "One short sleep past, we wake eternally/ And death shall be no more; death thou shalt die." (Donne) The poem conveys a defiant faith in the hereafter and in resurrection. Death is cut down to size with simple but strong arguments. Dylan Thomas's poem isn't about passing about dying; it is not an argument-based poem but a emotionally-charged poem, wordy and repetitive. The recurrent phrases increase the effects of the emotion on us: "Don't go gentle into that great night" an...