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The characters of James Joyce's Dubliners live in a world where they're emotionally stagnant despite the effects of social encounters in their own lives. Each character's development is dependent upon their interactions with other people in addition to their individual decisions. From youth to adulthood, the protagonists have encounters with family, friends, or colleagues which result in either negative or positive effects on their growth and consciousness of their current state of unhappiness. The accession of connections, or camaraderie, does not come into full effect until the latter half of the book, where the topics are expressed from darker colours along with the writing style become somewhat ambiguous. Joyce lightens the mood of this Dubliners using all the portrayal of camaraderie in his final two stories, "Grace" and "The Dead" that give a realness and complexity to the difficulties of Dublin life. Typically, camaraderie does not stick well with the personalities of their Dubliners because of their innate sense of independence or their distrust of their community. However, by distancing themselves from family members and friends, they are allowing themselves to endure alone. Their inability to devote relationships and to feel real empathy for other people prevents them from experiencing the full advantage of camaraderie. The participation of the masculine and household camaraderie renders an ironic, synergistic impact in "Grace" whereas "The Dead" ends with a bittersweet outcome because of the protagonist. Joyce introduces the theme of the alcoholism during the Dubliners, not only as an emphasis within an Irish stereotype but to contribute a cause for a grownup Dubliner's corruption. He also satirizes the Irish bar as a type of meeting hall for this masculine camaraderie, although it.